Smart card driver download. Download the latest drivers for your EZ100PU Smart Card Reader to keep your Computer up-to-date. Eof JUNGLE TEKNO comps from Man Like Woebot! Here's a fifth little word, or phrase - 'drum and bass'. As in 'strickly drum n bass come an wine up yah waist' The bass is second in command, as it were And for sure there are B-lines in hardcore / jungle that are fast 'n' bippy, or that detonate more like electro 808 boom. But an awful lot of them involve simple bass-note patterns played slow and low, repetitive cycles. ![]() An aesthetic that comes straight out of reggae. Even the more abstract oozy ones, the whole feel of the bass is dread The counter-examples are legion, just a few that spring to mind - 'Bludclot Artattack'.' What's My Code'. Bert & Dillinja's 'Lionheart'. DJ Nut Nut & Pure Science 'The Rumble', the original or the 'Boom Shaka Mix' Matt brings up postpunk echoes but one of the reasons darkcore often sounds PiL-y is the sinister Wobble-y bassige Now, thinking of someone directly and consciously influenced by postpunk. He was someone who did complain about the surfeit of ragga tracks in 94, who was incensed by General Levy's outrageous putsch But then Goldie in his pre-rave years had been through a Rastafarian phase. Did a track called 'Jim Skreech' (surely not unconnected to Big Youth's 'Jim Screechy'). Did a track called 'Jah'. Has basslines and echoey bits in 'Menace' Personally I love the Jamaican element. The thunderbass in DJ Solo 'Darkage'. The ragga-techno of 'Mixed Truth' by, well, now you mention it, The Ragga Twins. 'when i was a yout' i loved to smoke collie weed'. The fast-skank of SL2 'On a Ragga Tip' The fact that Jamaica is close second place to hip hop as foundation of the macro-genre is shown by the fact it's the rootical and raggamuffin aspects that carry through, or resurface, in UK garage and 2step. And not the hip hop element at all really. The dub-sway riddim, the dancehall raucousness, the lover's rock sweetness. Name: Soul Jazz Records Presents/ Various 'Rumble In The Jungle'. We will dispatch the product after receiving the money. We will do so too. We'll strive to resolve. Find great deals for Rumble in the Jungle by Various Artists (CD, Apr-2007, Soul Jazz). Shop with confidence on eBay! Rumble In The Jungle SongNew Horizons 'Find The Path' and 'Slam Down Ya Body Gal', Gant 'Soundbwoy Burial', Double G 'Special Request'. (Reggae is also right there at the start with bleep - Unique 3's 'Weight For the Bass (Original Soundyard Dubplate Mix)', Ability II's 'Pressure (Dub)', Ital Rockers etc etc) I think of jungle - and nuum generally - as this sort of terrain over which the different source-genres are contending to take the upper hand, as it were - a three-way collision that then becomes a battle zone - hip hop vs reggae vs techno (and perhaps house is in there as well). And naturally different participants (meaning both producers / DJs and listeners-opinionators) will have different allegiances. And these allegiances / preferences shift also through time. For sure, with all the fundamental structural bases and prime flavours of the nuum - hip hop, techno, reggae, souljazz. Each of these can get to be mixed blessings, pass from thrill to tedium when overdone All lead to bad things ultimately, or dead ends. Amentalism led to breakcore, ultimately. Techno led to neurofunk / Photekism And the dread/ bass-meditational side of junglism led to the more placid 'n' ponderous side of dubstep Stop Press;on this Dissession, at, where else, Dissensus - involving Droid, Woebot and others. By Steven Shaviro at The Pinocchio Theory about interesting book by Mark Abel - ' Abel’s other major point, which I find entirely convincing, is his demonstation. Of how metric time — time conceived as an empty and homogeneous linear successions — is a product, not just of modern scientific technologies (like the ever-more accurate clocks that have been made since the 17th century), but specifically of capitalism, with its ubiquitous organization of commodity production, its appropriation of labor power as a commodity, and its need for the close measurement of time both in order to discipline workers, and as a measure of value more generally. The underlying structure of capitalism can explain why metric organization is so central to Western music of the last five hundred years or so, while it is absent from other historical forms and traditions of music. Metric organization is central to European classical music, and it is picked up with a vengeance in the groove of popular music ever since sound recording techniques became widespread. The heart of Abel’s argument with and against Adorno. For Adorno 20th century classical music at its most successful (e.g.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |